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	<title>Comments on: Q and A: Raw capture mode is confusing. Can you help?</title>
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	<link>http://www.photocrati.com/q-and-a-raw-capture-mode-is-confusing-can-you-help/</link>
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		<title>By: Peter K. Burian</title>
		<link>http://www.photocrati.com/q-and-a-raw-capture-mode-is-confusing-can-you-help/comment-page-1/#comment-6423</link>
		<dc:creator>Peter K. Burian</dc:creator>
		<pubDate>Fri, 12 Feb 2010 13:52:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.photocrati.com/?p=10704#comment-6423</guid>
		<description>Thanks for your kind note, Ingeborg. I don&#039;t write about Photoshop usually but this topic is quite important.

Peter</description>
		<content:encoded><![CDATA[<p>Thanks for your kind note, Ingeborg. I don&#8217;t write about Photoshop usually but this topic is quite important.</p>
<p>Peter</p>
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		<title>By: Ingeborg Minecci</title>
		<link>http://www.photocrati.com/q-and-a-raw-capture-mode-is-confusing-can-you-help/comment-page-1/#comment-6419</link>
		<dc:creator>Ingeborg Minecci</dc:creator>
		<pubDate>Thu, 11 Feb 2010 22:13:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.photocrati.com/?p=10704#comment-6419</guid>
		<description>Awesome article I just like it, Keep adding more &lt;a href=&quot;http://www.oalto.com&quot; rel=&quot;nofollow&quot;&gt;Photoshop Tutorials&lt;/A&gt; like this!</description>
		<content:encoded><![CDATA[<p>Awesome article I just like it, Keep adding more <a href="http://www.oalto.com" rel="nofollow">Photoshop Tutorials</a> like this!</p>
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		<title>By: PeterKBurian</title>
		<link>http://www.photocrati.com/q-and-a-raw-capture-mode-is-confusing-can-you-help/comment-page-1/#comment-5922</link>
		<dc:creator>PeterKBurian</dc:creator>
		<pubDate>Sat, 12 Dec 2009 20:44:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.photocrati.com/?p=10704#comment-5922</guid>
		<description>Steve: I have not used DNG converter.

Does that allow for converting any RAW file to DNG? Even if CS2 does not support that camera&#039;s RAW format? 

Or do I misunderstand what DNG converter does? Peter www.peterkburian.com</description>
		<content:encoded><![CDATA[<p>Steve: I have not used DNG converter.</p>
<p>Does that allow for converting any RAW file to DNG? Even if CS2 does not support that camera&#8217;s RAW format? </p>
<p>Or do I misunderstand what DNG converter does? Peter <a href="http://www.peterkburian.com" rel="nofollow">http://www.peterkburian.com</a></p>
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		<title>By: PeterKBurian</title>
		<link>http://www.photocrati.com/q-and-a-raw-capture-mode-is-confusing-can-you-help/comment-page-1/#comment-5918</link>
		<dc:creator>PeterKBurian</dc:creator>
		<pubDate>Sat, 12 Dec 2009 14:50:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.photocrati.com/?p=10704#comment-5918</guid>
		<description>Mike: yes, it may be possible depending on the software and computer platform, but there&#039;s no real value to doing so. AND you must have a printer that can print from 16-bit files .... only a few printers can do so. Peter

Here&#039;s some info from Tim Grey, Nov. 2 AND Nov. 11, newsletter ....The Ask Tim Grey eNewsletter is free. Details on becoming a member can be found here: www.timgrey.com/asktimgrey/ 

PRINTING: For all practical purposes, the real world difference between 8-bit per channel and 16-bit per channel printing is non-existent. You simply can&#039;t see a difference between the two prints. **The option to print 16-bit data is only available with a handful of printers***, using either Photoshop CS4 or Lightroom 2, and only on the Macintosh platform (for now). The benefit is incredibly minimal, and in most cases you would not be able to see any 
difference. 

The benefit would really only be in very smooth gradations, which can be maintained better with 16-bit printing (you&#039;ll likely see slightly more banding in those gradations with 8-bit printing). 
If you&#039;re working with a 16-bit per channel workflow (which I do highly recommend) and you happen to have a printer and the necessary software configuration to enable 16-bit per channel printing, I would certainly enable it just to provide every possible advantage in terms of print quality. 

But I certainly wouldn&#039;t buy a new printer, switch platforms, or buy new software for the sole purpose of enabling 16-bit printing, because there simply isn&#039;t a significant benefit. Most people would never know the difference with most images. 

.......... 16-bit per channel mode .................. Upon export you would need to decide whether it was necessary to have the images in 16-bit per channel mode. If you are exporting the images for purposes of creating some form of output (printed or online display, for 
example), there&#039;s no need to export the images in 16-bit per channel mode. 

If you&#039;ll be making further adjustments to the images using Photoshop or another 
tool, then I recommend exporting as 16-bit per channel. 

The bottom line is that 16-bit per channel can offer a benefit in terms of quality for your images, and I highly encourage its use. Just keep in mind that just because 16-bit per channel is certainly helpful when optimizing your images doesn&#039;t mean it will be helpful at later stages of your workflow. 

Become a Member The Ask Tim Grey eNewsletter is free Details on becoming a member can be found here: www.timgrey.com/asktimgrey/</description>
		<content:encoded><![CDATA[<p>Mike: yes, it may be possible depending on the software and computer platform, but there&#8217;s no real value to doing so. AND you must have a printer that can print from 16-bit files &#8230;. only a few printers can do so. Peter</p>
<p>Here&#8217;s some info from Tim Grey, Nov. 2 AND Nov. 11, newsletter &#8230;.The Ask Tim Grey eNewsletter is free. Details on becoming a member can be found here: <a href="http://www.timgrey.com/asktimgrey/" rel="nofollow">http://www.timgrey.com/asktimgrey/</a> </p>
<p>PRINTING: For all practical purposes, the real world difference between 8-bit per channel and 16-bit per channel printing is non-existent. You simply can&#8217;t see a difference between the two prints. **The option to print 16-bit data is only available with a handful of printers***, using either Photoshop CS4 or Lightroom 2, and only on the Macintosh platform (for now). The benefit is incredibly minimal, and in most cases you would not be able to see any<br />
difference. </p>
<p>The benefit would really only be in very smooth gradations, which can be maintained better with 16-bit printing (you&#8217;ll likely see slightly more banding in those gradations with 8-bit printing).<br />
If you&#8217;re working with a 16-bit per channel workflow (which I do highly recommend) and you happen to have a printer and the necessary software configuration to enable 16-bit per channel printing, I would certainly enable it just to provide every possible advantage in terms of print quality. </p>
<p>But I certainly wouldn&#8217;t buy a new printer, switch platforms, or buy new software for the sole purpose of enabling 16-bit printing, because there simply isn&#8217;t a significant benefit. Most people would never know the difference with most images. </p>
<p>&#8230;&#8230;&#8230;. 16-bit per channel mode &#8230;&#8230;&#8230;&#8230;&#8230;&#8230; Upon export you would need to decide whether it was necessary to have the images in 16-bit per channel mode. If you are exporting the images for purposes of creating some form of output (printed or online display, for<br />
example), there&#8217;s no need to export the images in 16-bit per channel mode. </p>
<p>If you&#8217;ll be making further adjustments to the images using Photoshop or another<br />
tool, then I recommend exporting as 16-bit per channel. </p>
<p>The bottom line is that 16-bit per channel can offer a benefit in terms of quality for your images, and I highly encourage its use. Just keep in mind that just because 16-bit per channel is certainly helpful when optimizing your images doesn&#8217;t mean it will be helpful at later stages of your workflow. </p>
<p>Become a Member The Ask Tim Grey eNewsletter is free Details on becoming a member can be found here: <a href="http://www.timgrey.com/asktimgrey/" rel="nofollow">http://www.timgrey.com/asktimgrey/</a></p>
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		<title>By: Steve</title>
		<link>http://www.photocrati.com/q-and-a-raw-capture-mode-is-confusing-can-you-help/comment-page-1/#comment-5909</link>
		<dc:creator>Steve</dc:creator>
		<pubDate>Fri, 11 Dec 2009 19:41:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.photocrati.com/?p=10704#comment-5909</guid>
		<description>I ran into the camera raw conversion for Photoshop CS2 when I bought a Nikon D90.  My solution, the Adobe recommended one, was to download the Adobe DNG converter.  As near as I can tell, it preserves all the advantages of RAW files with a file size less than TIFF.  The only problem is you end up with two copies of the file.</description>
		<content:encoded><![CDATA[<p>I ran into the camera raw conversion for Photoshop CS2 when I bought a Nikon D90.  My solution, the Adobe recommended one, was to download the Adobe DNG converter.  As near as I can tell, it preserves all the advantages of RAW files with a file size less than TIFF.  The only problem is you end up with two copies of the file.</p>
]]></content:encoded>
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		<title>By: mike</title>
		<link>http://www.photocrati.com/q-and-a-raw-capture-mode-is-confusing-can-you-help/comment-page-1/#comment-5907</link>
		<dc:creator>mike</dc:creator>
		<pubDate>Fri, 11 Dec 2009 15:27:04 +0000</pubDate>
		<guid isPermaLink="false">http://www.photocrati.com/?p=10704#comment-5907</guid>
		<description>At least some Adobe products do print from 16 bit TIFF files, so there&#039;s no need to convert to 8 bit file before printing. Photoshop CS3 on a PC definitely does!</description>
		<content:encoded><![CDATA[<p>At least some Adobe products do print from 16 bit TIFF files, so there&#8217;s no need to convert to 8 bit file before printing. Photoshop CS3 on a PC definitely does!</p>
]]></content:encoded>
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