Your Photography Website Is Pretty, But Will It Get You Clients?

I’ve seen photographers spend piles of money on lovely photography websites with lots of fading images, music tracks, pretty pages and more.

I often wonder how good those websites are at converting a visitor into a potential client?

The “pretty factor” helps, sure. But what other elements can help a photography website: generate a visitor, engage them enough to cause them to stick (or return), and, ultimately, to get them to convert into a phone call, email or web form submission.

I spent the past eight years studying a variety of websites across hundreds of industries, not just photography. I’ve put together a list of things that I’ve seen be the most successful.

Three ways to ensure your photography website is performing to its fullest potential

1. Is anyone visiting?

A pretty website is worthless if no one, or not enough people, visit it. How much is enough? There is no “enough”.

I personally believe that in order to continue to be successful in your business, your website traffic should be higher this month than it was last month or higher this year than it was last year. For those of you in seasonal businesses, perhaps the comparison of same months within prior years is most relevant, where more steady photography businesses can just look month over month within the same year.

If you have no idea how many visitors are coming to your website, use Jetpack or Google Analytics or see if your hosting provider offers a stat package.

How often should you watch your website traffic?

Once a week is sufficient. You should be looking for a few things:

  • Where are people coming from? (ie what sources are they coming from? Facebook, Pinterest, Email programs, etc?)
  • What search terms are they using to find your website? (i.e., are people only Googling your name? Or are they searching and finding you using more general terms?
  • What is the quantity of traffic and how does it compare to last year, last month, etc?

2. If people aren’t visiting or finding you, fix something (or a lot of things)

Obviously I could write a dissertation on website SEO. If you’re really into optimizing your website for search, check out this amazing community here. I would write about SEO more, but I’d rather leave that topic to the experts. :)

People not finding you could be because of poor SEO. It could also be because of any number or combination of the following:

  • Your overall reach in social media needs to be improved (get more fans or followers!)
  • You need to post more links from social to your site (give those fans and followers a reason to visit your site!)
  • You need to get more links to your website listed (naturally) on other websites (a great way to do this is by guest blogging!)

3. You need to blog (or blog more)

Most photographers run a blog on their own website. But I believe the target audience for future clients is often lost in the process.

Take a look at your own blog and evaluate it based on these simple questions:

  • Does my ideal future client find anything of value in my blog?
  • Do my posts help my ideal future client make a better decision about purchasing photography (hopefully from me)?
  • Does my blog truly speak to the needs of my future client?

Editors note:  What’s your blogging strategy?

If the answer to those questions is “no”, then you may be using your blog as a diary of what you’ve done.

Instead, consider using your blog to diary ways in which your clients prepared for a shoot, participated in a shoot by holding a prop or light reflector, added to the fun of a shoot or any other idea that might help your future client see what a shoot with you can be like.

Educating your future client is key.

There is an insanely overwhelming list of things that new photographers need to learn as they launch their photography business. A website that converts visitors to potential clients is just one of them!

art-photo-business

I recently wrote a brief e-book titled: The Art Of A Photo Business: What Every Photographer Wished They Learned Before Starting Their Photography Business. It contains marketing advice, business tips and miscellaneous motivational “umph” for every single photographer seeking a better way to approach their business. Photocrati readers get it for just $7 until 4/30/13. Buy it by clicking here and use coupon code LH48A.

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Angela Pointon is the founder of Steel Toe Images, which offers marketing advice and inspiring motivation for photography business owners. She recently published her first book, The Art of a Photo Business. Find her on her blog, YouTube, Facebook, Twitter, and Google+.

Zack Arias On If He Had To Start His Photography Business Again

Zack Arias is one of my personal favorite modern photographers. There are so many amazing things about Zack that are so inspiring. These things go beyond just his photography. They’re also videos and words.

Zack has a way with words that catch your attention and keep you focused, listening hard.

Well, not long ago, Zack offered a free webinar with Photoshelter, where he shared a story about what he would if he had to start his photography business over again.

Below is the video recording of the webinar, but I want to get you thinking already by sharing his key points

  1. Hire an accountant because you’re a photographer and you may need help with the business aspect.
  2. Slash your expenses by getting rid of cable or drinks of coffee or the fancy car. Spend wisely.
  3. Know your business numbers, like the cost of doing business. Use the calculator from NPPA if you need to.
  4. Purchase only the gear you need for your business.
  5. Get a basic WordPress website (we can help you with that!)
  6. Get basic business cards with your name, address, phone number, website and email address.
  7. Pick a niche, like headshots, weddings or whatever it might be.
  8. Find a referral base and build that list. Ask customers to refer you business.
  9. For a limited time, shoot for free. Pick some friends and photograph them at no cost.
  10. Get involved in your local community and online communities.

Now that you see the key points, please enjoy the webinar.

Thanks for reading,

Scott

Photocrati WordPress Theme v2.2!

We are excited to announce our new upgrade to the Photocrati Supertheme, with WordPress 3.0 Custom Menu Compatibility!!!

What this means, is that you can include the following in your navigation menus:

  • External Links
  • Hide pages
  • Categories
  • Regular pages

Also, never has organizing your pages been easier! Just drag and drop these pages to wherever you want them to appear in your navigation menu! Not only this, but you can easily add pages, external links and categories to your footer area of your site – all using our Supertheme. :)

These menu’s are easy to create, easy to manage and they look great!

If you’re not using Supertheme for your Photography WordPress Theme, go get it today! :D

Cause Marketing for Photographers

As we move towards the coming new year many of us are beginning to implement a new marketing plan. Also, as the holiday season comes to a close many of our thoughts are on giving. Cause marketing is an opportunity to combine the two. For those unfamiliar with the term, cause marketing is a form of marketing that allows two organizations, one for profit, and one non-profit, to work together to further each of their individual marketing/development goals in a cooperative fashion. Think of the (product) RED campaign, or the partnership between the NFL and United Way.

Cause marketing can be as simple as offering a sponsorship to a local charity event, or as involved and complex as you care to make it. Below are some examples of actual cause marketing campaigns I’ve seen photographers in my market employ”¦

  • A local portrait/wedding studio holds quarterly workshops for photographers on various business practice issues. They host at their studio and usually bring in a guest speaker. They don’t charge attendees directly but ask that they make a donation to a specific charity ($40 to the local food bank or so.)
  • A commercial photographer sponsors a hole-in-one contest at a charity golf outing. If a participant scores a hole in one, they win $10,000. He gets a bond each year to cover it for about $100. He’s at the tee of that hole, shoots a photo of the foursome and mails each of them a print (with his logo and web address of course.)
  • A fine art photographer gives 25% of sales of a series of images of the Chesapeake Bay to a local environmental charity.
  • In lieu of holiday gifts for his corporate clients, an industrial photographer makes a donation to the USO (many of his clients are in the defense industry and are veterans). He then sends the clients a note thanking them for their business and letting the client know that he’s made that donation. [Read more...]

End of year number crunching

I don’t know about you, but I didn’t get into photography because I love business management. The whole idea of pouring over spreadsheets and sales reports really is one of my least favorite activities associated with running the business. But this is a business, and we do what we must.

One thing I’ve been able to glean from my years in business is to know when things are slow, and when they’re not. I know that starting Thanksgiving, and ending when the kids go back to school – we’re pretty much dead here. We’ll have a few jobs but it’s generally a good time to do the management tasks that goes with having your own Federal ID number. I choose to do this now, less because it’s year end (our corporate year is the calendar year) but rather since it’s slow right now. [Read more...]

What not to do

One of the first things I tell photographers who are at the beginning of their career is to “Learn from the mistakes of others.” Learn from my mistakes, learn from the mistakes of your instructors at school, learn from the mistakes of your peers. The point is to learn what to do, and what not to do.

With this in mind I put the question out to some of my graphic design peeps and asked, “What’s the one thing a photographer can do to lose you as a client?”

I got responses about technical mistakes and business mistakes but the majority of answers were about attitude. While it’s important to understand you’ve probably been hired for your vision (more on that next) it’s also important to remember that the client also has a vision. They’re looking to you for help in realizing that vision. Assisting them and moving them down the path towards realization is good, steamrollering them where you want to go is bad. It’s also worth noting that some clients just want a technician. They didn’t hire you for your vision or your creativity, they just want someone who can take a picture so they don’t have to bother with it. If that’s your gig then fine, but remember that these particular clients will, in general, have a lower threshold for ‘tude.

An interesting aspect of my research is that there were a fair amount of contradictory responses. I got responses that basically said “Be more creative.” I got responses that said “Don’t be so creative.”   This tells me that every client has a different threshold for outside creative input. Indeed, the same individual client may have differing thresholds for outside creative input based on the job. I have one agency client that I have an excellent rapport with. Some of their clients are very tight and controlling on the creative. Everything has to be approved by a committee not to mention the legal team. Some of their other clients are much more relaxed and open to other ideas. So it’s important to discuss this with your client before the shoot.

Other common responses were …

  • Don’t be a prima donna/diva/schmuck/jerk, etc
  • Coming in over budget
  • Showing up late to the shoot or delivering images late
  • Not being prepared for the job
  • Not being flexible enough to adjust on the fly when things change on set
  • Shooting images too tight
  • Not backing up files

You can see the question and responses on linkedin here

Wedding Photography and “Uncle Bob”

wedding-photography-tampa-thompson-11

This picture has nothing to do with "Uncle Bob." I just feel bad when I write a long post and don't have any pictures..

There are so many issues that wedding photographers can argue about:   light, composition, equipment, price, style and so on. I think it’s a hoot that the one issue that always seems to get the most varied and heated opinions has nothing to do with the actual art of wedding photography (I’m a wedding photographer in Tampa, FL).

I’m talking about “Uncle Bob.”

If you’re a wedding photographer  then you know exactly who I’m talking about. For those of you who don’t know, “Uncle Bob” is the guest at the wedding with an expensive camera who has decided to become an un-official wedding photographer for the day. Every time you pose someone for a shot, Uncle Bob is right there snapping away. If someone steps in front of you at an important moment during the reception, it’s Uncle Bob. Uncle Bob means well, but he’s oblivious to the fact that you’re doing a job and he’s interfering (I once had Uncle Bob get mad at me because I wouldn’t “wait my turn” to take a picture of the Bride and Groom during an emotional moment at the reception.)

[Read more...]

Accepting Criticism

One thing I really like about this business is the fact that it’s subjective. There is no one right way to do things. Of course that can be a double-edged sword. An image you’ve poured your heart and soul into can elicit a reaction of, “meh” from a client. That’s ok because it can go the other way too. An image you considered a throw away can get a “wow!”

[Read more...]

Pro Bono Work

Being a photographer is a great way to make a living. Sure it’s challenging, but anything worth doing is. Sure it takes talent and hard work, but anything worth doing does. But c’mon, I’m not saving the world here. [Read more...]

Determining Pricing

One process that plagues many photographers is setting pricing. Whether you’re just starting out or re-evaluating your business, having a deliberate process for determining your pricing is key. One of the common complaints among photo buyers, whether they’re professional art buyers or consumers, is that pricing seems to simply be arbitrary. To a certain extent they’re correct, but being able to justify how you’ve arrived at your pricing goes a long way towards blunting some of that criticism. [Read more...]