The Tuesday Composition: Sometimes Centering Does Work

Badwater Reflections
Badwater Reflections

If you like this article, you can now get the book! Joe has expanded the “Tuesday Composition” series into an inspiring new ebook on composition, especially for nature photography. Check it out: The Tuesday Composition.

As I’ve said before (and will keep saying), these photographic “rules” we talk about are more like dozens of tools in a large toolbox, and the vast majority of your images will only use a small subset of those tools. In fact, often there are very good reasons to do precisely the opposite of whatever one of these guidelines might seem to suggest, sometimes the rules themselves are contradictory. Today’s column is a case in point. Last week I explored a number of reasons you’d usually be better off not centering things vertically or horizontally in your images. This week, I’m going to mention some exceptions, but those exceptions are no more hard-and-fast as the original “rule” was. As such, I hope that you’ll not only get some ideas about why images might work well centered, but also that you’ll get a little better idea of what I mean by the “toolbox” metaphor. (more…)

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The Tuesday Composition: Avoid the Middle, Man.

Virga over the Straits of Magellan: The sky was more interesting than the water, so I used a lot more sky than water.  Sometimes it's that simple.
Virga over the Straits of Magellan. The sky was more interesting than the water, so I used a lot more sky than water. Sometimes it's that simple.

If you like this article, you can now get the book! Joe has expanded the “Tuesday Composition” series into an inspiring new ebook on composition, especially for nature photography. Check it out: The Tuesday Composition.

Last week we talked about working the edges of your photographs. This week, I thought we’d start taking about where we place objects in an image; I like Geir Jordahl’s metaphor of choreography. By moving around, by pointing the camera in different directions, by choosing a framing and focal length and orientation of our shot, we’re including and excluding objects from our image, changing their size and shape and moving them around within our image. While we do not have (outside of Photoshop) unlimited flexibility to rearrange our images this way, we do have quite a number of controls over where we place in our images. So, where should we put them? Where will they look best? (more…)

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