The Tuesday Composition: Highlights

Crashing Waves, Bandon Beach
Crashing Waves. Bandon Beach

If you like this article, you can now get the book! Joe has expanded the “Tuesday Composition” series into an inspiring new ebook on composition, especially for nature photography. Check it out: The Tuesday Composition.

This is the first installment of my delayed promise toward writing a weekly post about photographic composition. Unlike many basic elements of photography, such as depth-of-field or ISO, composition is something that is not easily taught in in a top-down, linear fashion. Even the most frequently cited “rules of composition” are ideas that are more often ignored in an excellent image. And very few people can even begin to construct an effective image through an abstract understanding of even dozens of such rules. Instead, photographers learn composition and how and when to apply these rules, through trial and error, through practice, through looking at other photographers’ work, and through guidance and feedback from skilled eyes. So think of this series as a starting point, not an ending point, to learning composition. Now, let’s get started by talking about highlights. (more…)

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Reflections on Weak Sunsets

Sunrise Reflections, Old Marina, Mono Lake
Sunrise Reflections. Old Marina, Mono Lake

The power and beauty of an exceptional sunrise or sunset is incredible. As nature photographers, it is understandable that we gravitate towards the most direct expressions of these incredible moments. Those sunrises and sunsets often offer not only incredible color in the skies, but also on the landscape itself–color that shows texture and contrast by raking across our subjects. Trying to pull in the whole picture, capturing all of this, is a wonderful goal.

Sadly, all too often, the skies don’t light up the way we expect. Or other factors get in the way of these hopes. In remaining attached to our vision of the grand scene, it is all too easy to give up and to forget what powerful alternatives can remain. Often, I find those alternatives include reflections. (more…)

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The Car Blind

BigHorn Sheep, Bandlands
Big Horn Sheep, Badlands

Wildlife photography presents the nature photographer with many challenges. One of the foremost is getting close enough to the animal to create an effective image, while not disturbing the animal, affecting it’s behavior, or putting oneself in danger. Because wildlife is often most sensitive to the presence of things that look like humans or other large mammals, when possible many wildlife photographers will make use of a blind–a general term for any sort of structure, tent, or what have you, that renders the photographer less visible. Numerous styles of blinds exist, some are as simple as camouflaged tarps that disguise the form of the photographer, while some are elaborate structures. While dedicated blinds have their place, I’ve often had good success photographing using my car as a blind. (more…)

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An Introduction to the North Coast Redwoods, Part II

Trillum, Jedediah Smith State Park
Trillum

(Part one of this “introduction” can be found here.)

Heading North from Redwood National Park, Highway 101 passes through the town of Klamath and continues towards Del Norte Redwoods State Park. Del Norte primarily serves campers, but the challenging Damnation Creek Trail provides a beautiful 2.5 hike to a small beach cove.

Continuing north past Del Norte Redwoods you descend towards Crescent City, California, at the south end of town (and you’ll want a map or directions) you can head east and connect with Howland Hill Road which will take you to Jedediah Smith State Park. Because Jed Smith isn’t right on Highway 101, and because Howland Hill is unpaved, this area receives less traffic than the Redwood NP/Prairie Creek Redwoods SP area to the South, making for a more relaxing and meditative photographic experience, particularly in spring or fall. (more…)

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An Introduction to the North Coast Redwoods, Part I

Trillium Falls, Redwood National Park
Trillium Falls, Redwood National Park

The coast redwoods (Sequoia sempervirens) of California’s north coast include the tallest trees on Earth, with several examples of individual trees over 370 feet tall and provide amazing photographic and sometimes challenging photographic opportunities. This weekend I’ll be travelling to the California’s north coast (roughly betwen the towns of Trinidad, California and Crescent City, California)  to visit the constellation of four parks (Redwood National Park, Prarie Creek Redwoods State Park, Del Norte State Park, and Jedediah Smith State Park) that to my mind represent some of the finest redwoods photography opportunities available. In this article, I hope to give you a taste of those incredible areas and add a few words about the opportunities and challenges they present.

Starting from the south, Redwood National Park is the most natural place to begin our virtual tour, the National Park Service maintains a visitor center there (actually just south of Orick, CA) and in Crescent City which can provide excellent information and maps of both this park and the three state parks as well. A trip along the Newton B. Drury Scenic Parkway (which runs through Redwood NP and Prairie Creek SP) makes an excellent first introduction to the redwood environment, as the road wanders through enormous columns of tree creating a vast virtual room, carpeted with fern and trillium. The strangely-named Cal-Barrel Road (a quick turn off the parkway) offers an excellent introductory location to start your explorations. (more…)

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Fun with Sunstars

Sunstar Detail
Sunstar Detail

One of the stranger and more interesting artifacts you’re likely to come across in photographing nature is the sunstar. You’ve probably seen the effect, or one like it, where bright points of light. While many of these effects are the result of ::amazon(“B00004ZCDV”, “specialized star filters”)::, effects like this are, in some situations, easy to create without a filter due to a strange quirk in the physics of light, the phenomena of diffraction. Fortunately, you don’t need a degree in physics to get sunstars in your own photos, just a few simple tips. (more…)

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A Quick Introduction to Mono Lake

Stormy Sunrise at South Tufa
Stormy Sunrise at South Tufa

Mono Lake is one of the most famous California nature photography sites, that fame is a consequence of both it’s photographic and environmental history. Environmentally it supports the second largest population of California gulls (the first, paradoxically, being in Utah), that support was threatened by the diversion of streams that provide water to the late for use by the Los Angeles Department of Water and Power, 300 miles away. Photographically, tufa, the strange limestone formations exposed by the lowering lake level, the backdrop of the Sierra Nevada to the west, and the gull population provide a rich source of photographic opportunities.  In this post, I hope to excite you (just a little bit) about the area, and suggest a few places you might want to begin your photographic exploration of the area.

The most frequented area of the lake is the “South Tufa Area”, located along the south side of the lake.  While often a busy and well-frequented area, the number, size and variety of the tufa formations there are  unparalleled.  Your biggest challenge many times of year will be other photographers, but the area is large and gets interesting light both at sunrise (both toward the Sun and toward the Sierra) and just past suns, when the geography and elevation often provide strong, saturated earth shadows such as the one in the image I’ve included above. (more…)

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Shoot the Moon!

Snowy Pinnacles at Dusk
Snowy Pinnacles at Dusk

One of the wonders of the night and twilight skies is the moon, and yet the moon can be a challenging subject to integrate into a landscape shot. There are several reasons for this, exposure problems, apparent size, depth of field, getting the moon near the horizon and subject movement all take their turns at making landscape photography with the moon a challenge. In this post, I’ll outline the different challenges in incorporating the moon into your landscape photography, and then provide some suggestions for how to work with these different limitations.

The first problem most people run into is the size problem. For a variety of reasons, we usually “see”, subjectively, the moon as larger than it is, in a pure angular sense, it’s actually quite small, perhaps half a degree in diameter. How big of a telephoto do you need to handle this? Well, if you spent over $100,000 on Canon’s biggest baddest EF lens and popped it onto a full-frame camera with a 2x teleextender, the moon would still probably barely but entirely fit in the view. That’s 2400mm of effective focal length, so if you include the moon in a 24mm image, you can guess that the moon is going to be a lot smaller (not quite 100 times smaller, but that’s not a bad guess) than the frame. If you imagine a big moon in a wide, wide landscape, you’re likely to be disappointed, the math just doesn’t work.

(more…)

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Review: The Lightning Trigger

Lightning across the Painted Desert.   © Joe Decker, created during an artist residency at Petrified Forest National Park
Lightning across the Painted Desert. © Joe Decker, created during an artist residency at Petrified Forest National Park

In my last installment, I discussed some of the joys and challenges of photographing lightning. One of the tools I use to capture images of lightning is Stepping Stone Products’ Lightning Trigger which is particularly valuable for daylight lightning captures. (more…)

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Lightning on the Landscape

Lightning across the Lithodendron Wash.   © Joe Decker, created during an artist residency at Petrified Forest National Park
Lightning across the Lithodendron Wash. © Joe Decker, created during an artist residency at Petrified Forest National Park

As I’ve said before, I’m an enormous fan of photographing in bad weather, stormy weather often creates dramatic conditions, and lightning can be an incredible element in such scenes-if you can capture it-lightning is incredibly difficult to capture, even more so to capture well. (more…)

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