...but it is a part of our identity. I got my first job in this business because the photographer that hired me didn't understand the concepts behind digital imaging. He…
I recently twittered (we’ve got a Photocrati twitter feed here, check it out and give us a follow!) comparing noise between modern digital SLRs and drum-scanned Velvia. I was fairly gobsmacked by going back and looking at some five-to-eight year old drum scans I’d had done of my early 35mm landscape work, most particularly by just how spoiled we’ve all gotten about low noise images.
What I said was “OMG, my old, clean, crisp drum scans of 50-speed film, remembered fondly, have more noise than ISO 1600 DSLR files. Progress!!!!” (more…)
or, learning to see like your camera, part 2
Let’s start by saying that color is a science. It’s a big science. It’s so big that there are entire institutes full of people so smart it makes my head hurt, all studying color. So I think it’s safe to say we’ll not be comprehensive here. We will cover the basics of color balance and differential color temperatures, as they pertain to shooting. Color management on the back end, calibrations, color profiles are for another time.
or, learning to see like your camera – Part 1
Today’s cameras are pretty smart. They know when you’re shooting outside, or in. When you want to shoot a portrait or a close up. They can tell that you need to use a flash, and in some cases, will even find a smile and shoot it for you. But even with all of the advances in digital camera technology, the smartest camera is still not as smart as you are. The human brain is incredibly adept and nimble, and with a bit of training you’ll begin to see things differently when looking through a viewfinder.