Manfrotto 804RC2 Pan/Tilt Head Review Round-Up

manfrotto-804rc2-pan_tilt-headThe 804RC2 Basic Pan/Tilt Head, which is constructed from tough, technical polymer, is suitable for use with camera/lens combinations weighing up to four kilograms. It adds 12 cm to the height of the basic tripod and 750 grams to overall weight. As supplied, the 804RC2 requires some assembly before it can be used. This involves screwing-in two handgrips, which control adjustments for lateral leveling and forward/backward tilt. Both these controls cover an angular range from -30 to +90 degrees. A smaller fitted handgrip controls 360-degree panning movement. Large, handles give a secure and positive grip, while spring-loading provides compensation for heavier, off-centre loads. The 804RC2 provides the traditional directional controls that photographers require with easy controllability. Although designed to be operated with both hands, the controls are comfortable to use and lock positively and securely into place. Overall balance is excellent. READ FULL REVIEW AT PhotoReview.com

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Get information and user reviews for this tripod from Amazon: Manfrotto 804RC2 Basic Pan Tilt Head with Quick Release Plate 200PL-14 – Replaces 3047 (Black)

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Canon 10-22mm f/3.5-4.5 USM EF-S Review Round-Up

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Get information and user reviews for this lens from Amazon: Canon EF-S 10-22mm f/3.5-4.5 USM SLR Lens for EOS Digital SLRs

Photo Review

A first-rate wide-angle zoom for DSLRs with ‘APS-C’ sized imagers. The ‘EF-S’ designation is Canon’s way of labeling lenses with Short Back Focus, which indicates the distance between the sensor plane and the rear element of the lens is shorter than in an EF lens. Such lenses are designed exclusively for EOS cameras with ‘APS-C-sized’ sensors and cannot be used on Canon’s 35mm SLR cameras – or on the EOS 5D. The new EF-S 10-22mm ultra-wide-angle zoom lens covers fields of view equivalent to 16-35mm in 135mm format. An excellent partner to the EOS 400D we used for our tests, its wide angle of view is great for landscape and architectural photography, especially indoor shots. “¦ READ FULL REVIEW

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Really Right Stuff B-55 Ballhead Review Round-Up

really-right-stuff-b-55-ballheadThe Really Right Stuff BH-55 (on the right in the comparison pictures) is another excellent ballhead that is often compared to the Arca-Swiss ballheads. I’ve used both (BH-55 and B1) about equally for the last year and can say that I’d be very happy with either. The RRS BH-55 is shorter (3.65″/85.4mm vs 4″/101.6mm) but wider and about 7 oz (198g) heavier at 1.96 lb (889g). The BH-55 main friction knob is most notably larger but the entire head is beefier (see the top-view photo above for a comparison that shows this best). The BH-55’s load capacity is rated at a much lower but seemingly far more conservatively at 50 lbs (23kg). I still would not want to handle this much load on a ballhead. ? ?RRS does not cut corners in manufacturing and insures their products look great as well as work great, but the price is a differentiator that shows this. The RRS BH-55 design (appearance) including laser engraved index markings and classy-looking knobs is a notch above the Z1 (which is nice). Really Right Stuff’s Lever Lock quick release plate is nicer than the Arc Swiss equivalent but requires Wimberley or RRS brand plates (though these are the best anyway in my opinion). The Z1 uses an elliptical ball whereas the BH-55 uses a spherical ball. The BH-55’s knobs are a higher grade than the Z1’s. The Z1 knobs are all near the same location on the same side while the RRS head places them on opposite sides. The BH-55 sports a more-matte finish but also shows marks (fingernails, sticks …) more easily. The BH-55 has two drop notches giving you a choice of two positions for the knobs when using a notch. The location of the drop notches are different as well – I think the BH-55 has a small advantage – especially when shooting downward. ? ?In real use, I find the RRS BH-55 to slip/stick when making fine adjustments at a tight friction setting while the Arca-Swiss Monoball Z1 Ballhead remains smooth. The BH-55 is otherwise very consistent and repeatable. I also find the Z1 to lock tight with very little effort while the BH-55’s main knob gets consistently tighter as the ball locks. My personal preference on this point is for the Z1, but you could just as easily prefer the additional pressure feedback provided by the BH-55. As I said before, I could be very happy with either ballhead. READ FULL REVIEW AT DigitalPicture.com

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Sigma 20mm f/1.8 EX AF Review Round-Up

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Digital Picture

One of the best situations in which to consider a third party lens is when the camera body manufacturer does not have an equivalent offering. Meet the Sigma 20mm f/1.8 EX DG Lens – as of this writing, Canon does not offer a lens this wide with an aperture this large. Unfortunately, I consider the Sigma 20mm f/1.8 EX DG Lens to be unusable at f/1.8 unless you are looking for a soft-focus effect. This lens is one of the softest I’ve seen wide open. Realistically, this will be an f/2.8 lens to most people as the center does not become decently sharp until this aperture. Sorry Sigma, this one is a dud. If you want a fast 20mm lens, I suggest saving for the Canon EF 16-35mm f/2.8 L USM Lens. It far surpasses the performance of the current Sigma and Canon 20mm lenses in all regards. READ FULL REVIEW

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Canon 100mm f/2 USM EF Review Round-up

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Get information and user reviews for this lens from Amazon: Canon EF 100mm f/2 USM Telephoto Lens for Canon SLR Cameras

Photo Zone

The Canon EF 100mm f/2 USM is one of the “can’t lose” offers in the Canon lens line-up. It performed almost flawlessly in all tested categories. It’s interesting that the figures are marginally better compared to its more popular sister lens (EF 85mm f/1.8 USM). So if you can’t or don’t want to invest into Canon L glass the EF 100mm f/2 USM is a pretty obvious solution providing similar qualities at a much lower price. Highly recommended! READ FULL REVIEW

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Canon 55-250mm f/4-5.6 IS EF-S Review Round-Up

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Get information and user reviews for this lens from Amazon: Canon EF-S 55-250mm f/4.0-5.6 IS Telephoto Zoom Lens for Canon Digital SLR Cameras

Photo Review

A budget-priced tele-zoom lens with built-in image stabilisation. Canon’s new EF-S 55-250mm f/4.0-5.6 IS is designed specifically for cameras with ‘APS-C’ sized sensors and combines light weight with a very low price tag for an optically-stabilised lens. On the EOS 400D and 40D cameras we used for our tests, its focal length range is equivalent to 88-400mm on a 35mm camera. It’s a fairly slow lens – and this is apparent in the viewfinder when you’re shooting. READ FULL REVIEW

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Nikon 17-35mm f/2.8D IF-ED AF-S Review Round-Up

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If you own or have used this lens, let us know what you think! Leave your comments and thoughts below. Get information and user reviews for this lens at Amazon: Nikon 17-35mm f/2.8D ED-IF AF-S Zoom Nikkor Lens for Nikon Digital SLR Cameras

Photo Zone

The Nikkor AF-S 17-35mm f/2.8D IF-ED is a professional grade lens and it delivers accordingly specifically regarding its superb build quality. The optical quality is on a very high though not unprecedented level. The center resolution is superb followed by generally very good borders. Distortions are quite pronounced at 17mm but not a real problem beyond. Vignetting is very well controlled except at 35mm @ f/2.8. CAs are very low for a zoom lens. All-in-all the performance is very similar to the AF-S 17-55m f/2.8G IF-ED DX in the overlapping range so for (APS-C) DSLR-only users it may make sense to stick to the dedicated lens. For a dual-use strategy (film + digital and possibly full frame DSLRs in the future) the AF-S 17-35mm f/2.8D IF-ED remains a quite obvious choice. … READ FULL REVIEW

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Wimberly WH-200 Tripod Head II Review Round-Up

wimberly-wh-200-tripod-head-iiWhen is the Canon EF 600mm f/4 L IS Lens a featherweight? When it is mounted on a Wimberley Tripod Head II! If you are using a very large/heavy lens (300mm f/2.8 or larger), I highly recommend the Wimberley Tripod Head II and a solid tripod. ? ?When properly mounted on the Wimberley Tripod Head II, a heavy lens and camera body become nearly weightless to the photographer. Only two fingers are needed to move a setup such as the Canon EF 400mm f/2.8 L IS Lens mounted on a large camera body into position. ? ?Gimbal tripod heads such as the Wimberley Tripod Head II place the weight of the lens/camera setup below their pivot point. Thus, gravity pulls the setup into a level position. On the other hand, gravity attempts to cause the same camera/lens to flop over when mounted on a non-gimbal tripod head. ? ?Yes, many of the best non-gimbal heads (such as the Arca-Swiss B1 are rated for far more weight than my example lenses above. And they really can support the weight. But, you must fight against gravity when making adjustments. And if you don’t get everything tight, the lens can flop over into the tripod – with the potential for costly damage. And hold on tight if you are going to leave the mount loose for panning. Most of what I’ve said so far can also be said about the Original Wimberley Head. So why spend the money to upgrade if you already own the original Wimberley Head? To be honest, I was skeptical that a new version of the Wimberley Head would be worth an upgrade for me. But I am impressed at the changes Wimberley has made. The Wimberley Tripod Head II is a far more elegant solution to the problem solved so well by the original Wimberley Head. I have upgraded my kit with no regrets. READ FULL REVIEW AT DigitalPicture.com

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Get information and user reviews for this tripod from Amazon: LensCoat Head Cover for the Wimberley WH-200 Tripod Head – Black

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Nikon 18-35mm f/3.5-4.5D ED-IF AF Nikkor Review Round-Up

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If you own or have used this lens, let us know what you think in the comments below! Get information and user reviews for this lens at Amazon: Nikon 18-35mm f/3.5-4.5D ED-IF AF Zoom Nikkor Lens for Nikon Digital SLR Cameras

Photo Zone

The Nikkor AF 18-35mm f/3.5-4.5D ED is capable to produce very good to excellent images when shooting at and beyond f/5.6. At max. aperture the border performance is far less impressive due to the lack of contrast and resolution (specifically at 35mm). The level of distortions is very high at 18mm so it’s not a lens that you’d use for serious architecture photography. Vignetting is generally a non-issue whereas lateral CAs are very pronounced at 18mm (less so beyond). The build quality of the lens is fine for a consumer grade lens although it’s nothing to rave about either. All-in-all the lens had its time but there’re simply better alternatives out there by now. … READ FULL REVIEW

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Sigma 400mm f/5.6 HSM APO Macro AF Review Round-Up

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Photo Zone

The Sigma AF 400mm f/5.6 HSM APO macro may be discontinued but this surely doesn’t originate in performance factors. The lens is capable to delivery high quality images with very high resolution, low vignetting and insignificant distortions as well as a negligible degree of CAs. The build quality is also decent apart from the AF/MF switch and the focus limiter. Same goes for the focusing speed thanks to Sigma’s HSM (ultrasonic) AF drive. So if you’re looking for a high performance 400mm lens on a budget it is surely worth to check out the used market for this lens. However, you should make sure that the lens is still compatible to today’s DSLRs. The tested sample had no real issues on the EOS 350D but older samples with an old firmware may even lock up your camera. This is especially likely for the older variants with a conventional AF motor (non-HSM). Unfortunately Sigma doesn’t seem to be able to provide firmware updates for all these 400mm lenses anymore. “¦ READ FULL REVIEW

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