If you own or have used this lens, let us know what you think! Leave your comments and thoughts below.
Ken Rockwell
This crappy little plastic-mount $100 lens is a surprisingly excellent performer. In fact, this is the best example I’ve seen of a lens that stupider people will dismiss without even trying it, whereas in fact it is among the best midrange zooms I’ve used! READ FULL REVIEW
If you own or have used this lens, let us know what you think! Leave your comments and thoughts below.
Photo Zone
Generally the Sigma AF 18-50mm f/2.8 DC EX macro delivered a solid performance but without being any better than the competition. The resolution results are generally very fine except at 18mm where the extreme border performance leaves something to be desired below f/5.6. Distortions as well as CAs are about in line with the rest of the gang. Typical for most dedicated APS-C lenses the vignetting could be a little better at wide-open aperture. The build quality and handling of the Sigma is fine. The Sigma offers lots of bangs for your bucks but the comparable Tamron AF 17-50mm f/2.8 SP seems to be a better alternative. “¦ READ FULL REVIEW
The Nikkor AF-S 14-24mm f/2.8G ED N is a phenomenal lens. It is the sharpest ultra-wide angle lens tested to date. The resolution figures are simply stunning and unprecedented specifically at 14mm … So far it is the only lens in this class which has the potential to scale beyond the pixel-density of 10mp APS-C sensors. And it doesn’t even stop here – distortions and lateral CAs are very well-controlled and vignetting is basically a non-issue in field conditions. Naturally even this Nikkor is not perfect in the true sense – it can flare quite a bit with streaking light sources and the bokeh can look a little rough … The immense front element may be responsible for the superb performance, but it prohibits front filters thus leaving the protruding front element quite vulnerable. … Nonetheless – taking the sum of its qualities into account the verdict can only be … highly recommended! READ FULL REVIEW
Adjustments are found all over the pack to maximize the support and comfort the Lowepro Photo Trekker AW II Backpack provides to each of our unique bodies. Perhaps the biggest and most unique adjustment involves an ingenious device called the Pack Jack. Shaped like a large, flat arrow, the thin, stiff plastic Pack Jack slides down behind the shoulder strap harness to release the hook & loop that holds it in place. Adjust the shoulder harness to your preferred ride height and slide the Pack Jack out.
The hook & loop again takes solid hold and the Pack Jack stows out of the way behind the shoulder harness (or can be removed completely). You are left with a pack customized for your back. …
The exterior of the Lowepro Photo Trekker AW II Backpack features water-resistant 600D ripstop nylon and 600D Enduraâ„¢ nylon. It is attractive and rugged with a quality feel. … A rain coat-like cover is included (stowed in a pouch under the pack) to help keep the backpack dry. READ FULL REVIEW AT DIGITAL PICTURE
If you own or have used this bag, let us know what you think! Leave your comments and thoughts below.
If you own or have used this lens, let us know what you think! Leave your comments and thoughts below.
Photo Zone
The Nikkor AF-S 24-85mm f/3.5-4.5G IF-ED is a very decent standard zoom. The resolution characteristics is very good throughout the zoom range and vignetting is very well controlled whereas distortions are about average for a lens in this class. CAs are a weak spot at 24mm only. Mechanically it is good quality consumer lens with a fast and near-silent AF. All-in-all a pretty harmonious package but probably not all that attractive anymore on APS-C DSLRs where a wide-angle setting of 24mm already tends to be a little too long for a standard zoom. … READ FULL REVIEW
At first glance, this new model doesn’t appear dramatically different from other full-size camera backpacks. When you take a closer look, though, it’s really quite amazing in the innovation it brings to bag design.
The basics: Think Tank’s Rotation360 ° is big enough to hold a fast 300mm f/2.8 supertele and a pro-class D-SLR, or two, in its upper compartment; a couple of compact lenses and a spare body fit comfortably in the lower compartment.
Need to haul more gear? Expand your storage space by adding a Think Tank “Modulus” (there are at least a dozen) either to the upper half’s side rails or to the waist belt’s rails. Another option: Haul a ton of lenses inside the bag, and attach two SLRs to the shoulder straps. …
Beautifully built, the Rotation360 ° also has a hidden tripod pocket, integrated rain covers, and tons of small details that impressed us. … About $290. READ FULL REVIEW AT POPPHOTO
If you own or have used this bag, let us know what you think! Leave your comments and thoughts below.
If you own or have used this lens, let us know what you think! Leave your comments and thoughts below.
Photo Zone
The Nikkor AF 24-120mm f/3.5-5.6 D IF was a popular lens during the film era but on APS-C DSLRs the focal length range isn’t all that attractive anymore. The performance of the lens is generally good with a high center resolution throughout the focal length range. Unfortunately the border quality is just so so at the extreme ends at large aperture settings. Apparently the contrast level is somewhat low at wide-open aperture so stopping down seems generally advisable. The distortion and vignetting characteristic is about average for a lens in this class. CAs are surprisingly low. Mechanically the lens feels generally fine but the rotating front element leaves something to be desired. The AF-S 24-120mm f/3.5-5.6G ED VR felt more convincing during the local tests. … READ FULL REVIEW
The Sigma AF 18-50mm f/3.5-5.6 DC is an budget lens which comes with a couple of weaknesses but also surprising strengths. At 18mm the level of distortions and CAs is quite extreme. Vignetting is also an issue at 18mm and 50mm – the latter is quite unusual especially because it doesn’t really help much to stop down here. However, if you limit your aperture settings to f/5.6 and smaller the resolution figures are pretty impressive and comparable to much more pricey zooms out there. Regarding the extremely low price tag Sigma had to implement some compromises on the mechanical side like a rotating front element and a rotating focus ring in AF mode but other than that the build quality of this little lens is actually quite decent. Regarding its weaknesses the corresponding Nikkor AF-S 18-55mm f/3.5-5.6G ED DX may be a better choice though. “¦ READ FULL REVIEW
If you own or have used this lens, let us know what you think! Leave your comments and thoughts below.
Pop Photo
Remarkable lens at a low price. Even close focusing is good, but stop lens down to f/11 and beyond for superior corner sharpness at 80mm. READ FULL REVIEW
The Canon EOS-5D Mark II raises the standards of the entire EOS line, as it is the first EOS digital SLR camera to offer both still and video capture. That’s right, this high-end digital SLR can capture movies at 1920 x 1080 pixels at 30 frames per second. The Canon 5D Mark II is quite a camera, one that seems to trump the other two full-frame digital SLR cameras in this price range. Canon is making some very impressive claims about the EOS-5D Mark II, describing it to us as offering the highest image quality of any EOS digital SLR released to date, and noting that it offers noise levels significantly lower than those of the original 5D. Whether the Canon 5D Mark II’s high ISO performance will be as good as the 1Ds Mark III remains to be seen. So far, though, the Canon 5D Mark II has all that Canon needed to bring their consumer flagship camera back to the top of the heap. READ FULL REVIEW