It’s time to say goodbye to the copyright

I wasn’t always a photographer. Back in the 90s I was a disc jockey. I can remember many times getting into heated discussions with young people who had called into the station about whether or not the record companies were within their rights to sue people who downloaded music. No matter how hard I tried to explain that music was a business and record companies as well as artists had a right to charge whatever they wished for the fruits of their labor, people just didn’t get it. They acted as if they had a right to the music. They believed that once they bought a song they could do whatever they wanted with it, including reproduce it and distribute it to thousands of people.

And so it was that last weekend I laid in bed unable to sleep. (more…)

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I Have a Little List….

It’s time to pack!

In two days I leave to begin scouting for my upcoming photo workshop in Oregon, today I’ll start some of the necessary packing for the trip. It sure seems like there’s a lot of stuff to remember to bring, as much as I’ve appreciated a digital workflow, there’s just a lot more stuff to bring along. This used to drive me crazy, because I could never shake the idea that I’d forget to bring something, even when I hadn’t forgotten anything. Eventually, I just made a list, and then refined it over time. My standard list contains some things that won’t be necessary for every trip, that’s fine, it’s very easy to cross out things that you decide not to pack. (more…)

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No U-Turn

no_u_turn“So,” I said, “How do you feel about standing in traffic?”

A few weeks ago I had this idea for a shot. I wanted to shoot a couple surrounded by blurred movement while they stood frozen in time… in their own world. The first obstacle to overcome was how to shoot a long exposure on a sunny day. A neutral density filter solved that problem ( I used a 6 but really needed a 9). Next I had to get the couple. Lucky for me I was getting ready to shoot an engagement session at the University of Tampa which sits on Kennedy Blvd, one of the busiest roads in town.

So, after about an hour and a half with my clients I finally asked them to stand in traffic. They were totally on board with the idea and stood there without moving for about 15 minutes while I stood on my own little traffic island with my tripod, shooting away. (more…)

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Putting together your corporate team

Now don’t let the term “corporate” scare you. I understand that most of us don’t want to live in the corporate world, myself included. I have no desire to work in a cubicle, make decisions by committee or wear a suit every day. But a big part of our business is reminding our clients and customers that we are expert at what we do. (more…)

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Working with Rainbows

Rainbow WhirlwindRainbows are one of the most magical of sky effects, elusive, mysterious and colorful. They’re a natural subject for the nature photographer, so much so that they do run the risk of cliche, but they can also can put the final “shazam” on what would already be an interesting image. With a few simple hints and techniques, you’ll gain a better understanding of how to capture and convey their magic.

The first challenge in finding a rainbow is finding one to photograph in the first place. Any rainbow requires two elements, light and water droplets. The light needs to be from small source and very bright, so it’ll usually need to be direct sunlight (although it is possible to find and photograph “moonbows”) they’re very hard to see and even harder to capture well. The need for both sunlight and rain or mist means you’ll usually need to look for rainbows in mixed weather (rainy conditions without complete overcast) or in other places where mists form in broad sunlight (waterfalls, such as my Iceland image above, geysers, and the like.) (more…)

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Working with Tides

Living near the California Coast affords me ample opportunities for photographing the seashore, and an important part of learning to photograph in and around coastal areas is learning a little bit about tides. Low tides often allow fascinating tidepool opportunities, and (at least in the coastal areas near here) often bring a lot of interesting geology out of the water. (more…)

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Using Your Tripod: Why and How

In my last two articles, I talked about how to select tripod legs and a tripod head, with that gear assembled it’s time to get out into the field and learn how to use your new tripod to best advantage.

One of the primary reasons we use tripods is stability. It is simply impossible to hold a camera steady enough for a critically sharp image as shutter speeds get longer and longer, and longer shutter speeds are often an inevitable requirement of smaller apertures and wider depth-of-field. (more…)

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Get the shot

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Last Saturday I was working a Bar Mitzvah when something happened that is pretty common lately: The lights came down and the glow sticks came out.

Bar Mitzvah photographers know what I’m talking about here. The DJ at a Bar Mitzvah has one of the toughest jobs in that industry because they have to entertain a room full of 13-year-old kids and their parents at the same time. (In fact, a friend of mine who used to hire DJ’s for a national chain of nightclubs told me that he would seek out Bar Mitzvah Jocks because they knew how to play to the whole room.) One of the ways that they make the kids happy is with glowsticks.

(more…)

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Selecting a Tripod: Tripod Heads for Nature Photography

This is the second of a two part article on selecting a tripod, and covers the selection of tripod heads and quick-release systems. The first part discusses tripod legsets and can be found here.

For most nature photography tasks, I’d recommend using a large, high-quality ballhead. The best of these feature a large ball, adjustable tension, and a can hold quite a bit of weight. The Kirk Enterprises KB-1, Arca-Swiss Z1, Markins M-20, and (if you can find it) the Burzynski Protec are all excellent choices for general-use tripods. (more…)

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