Local citations is a term used to describe signals on local listings showing that a business is legitimate and trustworthy. As you can see in the screenshot, the local results…
Jack Neubart discovers that this 18 MP single-digit “D” series APS-C EOS camera is indeed a chip off the old block-and then some.
I was all set to begin this review with a diatribe about all the negatives pertaining to movie shooting and Live View, but then thought better of it and opted to take the journey into 7D-dom with a positive foot forward.
When you look at the real meat and potatoes inside this machine, you’ll discover, as I did, that when you peel back the movie capture veneer, the Canon EOS 7D is a very capable DSLR. That’s especially true when it comes to capturing breaking action, owing to a highly responsive, albeit not flawless, AF system coupled with an even more responsive shutter release. There-I took the high road. Too bad Bob Hope isn’t around to do the movie version: “The 7D Road to Bali, the Musical.“ I could even write the music and lyrics. (more…)
Jack Neubart gets a taste of a sweet compact 12.4 MP CMOS APS-C DSLR with a suite of features.
I approach each new camera with a degree of skepticism. Unlike many out there, I’m not as easily swayed by all the media hype and promotional gobbledygook. I’m from Brooklyn and we need to see that something actually works. So when the Pentax K-x arrived, I looked at it, pleased that they sent me the “white” version, only because it reminded me of the Imperial Storm Troopers from Star Wars (would have been a great fit). I unpacked everything, mated the lens to the K-x body, installed the lithium batteries that came in the box, then added my own SDHC card-none included (also takes standard SD-but why hamper the machine out of the gate!). And I started to play with it.
Hmm, not bad, I thought. But let’s see how it performs in the real world. So, intrepid explorer that I am, I ventured outside. It may not be a tropical rain forest, but it is an urban jungle out there rife with photographic opportunities. (more…)
A wide range of add-ons to help you create sometimes startling, sometimes pretentious images.
I’ve worked with Alien Skin Software plug-ins for years. As with other plug-ins, I at times became so enchanted by them that I lost sight of the original image or my purpose in using the plug-in. And once I realized that I was allowing myself to be swept up in this mania of adding effects just for the sake of doing so, without rhyme or reason, I pulled back and placed some restraints on myself– actually, it’s an ongoing process. (more…)
Field Test Report
As discussed in my previous Q &A item about the pro’s and con’s of large sensors, an increasing number of DSLRs employ a full-frame 24x36mm chip. Some of those cameras are very expensive ($7000+) but three models fall into the “relatively affordable” category. I tested this trio often using large, premium-grade zooms optimized for 24x36mm chips. Because the cameras became available at various times, I was unable to do side-by-side testing. For the sake of consistency however, I did return to a couple of scenes in similar lighting and made some comparable images.
A high-end 12.3 megapixel camera with a vast range of features including some unique amenities for creative photographers
Featuring the highest resolution available in the Olympus E-series, the E-30 is more compact, lightweight and affordable than the 10.1 megapixel E-3. This newer model includes most of the same features as the professional camera, but benefits from several upgrades. These include some new technology, higher 12.3 MP resolution, a brighter/larger LCD (2.7 vs. 2.5-inches), more auto-focus options in Live View mode and some unique new features. While the E-3 is more rugged and well-sealed — and employs a slightly larger viewfinder — the E-30 will certainly meet the needs of serious photo enthusiasts. (more…)
Similar in many respects to the 10.2 megapixel D80, the Nikon D90 is even more desirable since it benefits from technology developed for the semi-professional DSLRs. The primary improvements include a 12.3 megapixel CMOS (not CCD) sensor and upgraded processor, larger 3-inch LCD with ultra-high 920,000 point resolution and Live View with three distinct autofocus modes. Other benefits include faster 4.5fps continuous drive speed (vs. 3fps) an automatic sensor cleaner, plus some valuable new features in capture mode and in Playback mode (for image retouching.)
If you own or have used this lens, let us know what you think! Leave your comments and thoughts below. Get information and user reviews for this lens at Amazon: Nikon 17-55mm f/2.8G ED-IF AF-S DX Nikkor Zoom Lens
The Nikkor AF-S 17-55mm f/2.8G IF-ED DX is a professional grade lens and it certainly shows up regarding its exceptionally high build quality as well as very fast AF speed. Optically it is, without doubt, a very good lens but it has a few issues. The center performance is nothing short of stellar but the borders are a little worse than desirable at 24mm @ f/2.8 and at 55mm (for such a lens). The level of CAs, distortions as well as vignetting is quite typical for a lens in this class but then thing aren’t substantially better either. So all-in-all there may be a few question marks regarding the price/performance ratio of this lens. It simply lacks the greatness suggested by its price tag. READ FULL REVIEW
If you own or have used this lens, let us know what you think! Leave your comments and thoughts below. Get information and user reviews for this lens at Amazon: Nikon 12-24mm f/4G ED IF Autofocus DX Nikkor Zoom Lens
The Nikkor AF-S 12-24mm f/4G IF-ED DX proved to be a very good performer. Its center resolution figures are exceptionally high and apart from 12mm @ f/4 the border quality is also impressive though a little less field curvature may be desirable at 12mm. CAs as well as the distortion characteristic are very good for an ultra-wide zoom lens wMOREas vignetting is about average due to the reduced APS-C image circle. The build quality is, in principal, very fine but you would usually expect a little more from a lens in this price class. The primary competitor is probably the Tokina AF 12-24mm f/4 AT-X Pro – a lens which is just as sharp but with a higher degree of CAs and worse flare in contra light – all at less than half the costs and combined with a better build quality. Costs aside it’s a close race between the two with a slight edge for the Nikkor regarding optical quality. When taking the very different price tags in account the decision may be a little more complicated. READ FULL REVIEW
If you own or have used this lens, let us know what you think! Leave your comments and thoughts below. Get more information and user reviews for this lens from Amazon: Nikon 18-200mm f/3.5-5.6 G ED-IF AF-S VR DX Zoom-Nikkor Lens
Regarding some glowing reviews available on the web the expectation were rather high. Unfortunately the (tested sample of the) Nikkor AF-S 18-200mm f/3.5-5.6 G IF-ED VR II DX wasn’t able to convince completely. Weak points are rather hefty distortions and high vignetting (@ f/3.5) at 18mm. Apart from a few weak spots the resolution figures are quite good though and it is possible to get very decent images from this lens under field conditions. The VR can surely help to save the day in situations where similar zooms must fail utterly The build quality is a little soso for a lens in this price class and probably the biggest disappointment. All in all the Nikkor is a highly interesting lens but not without flaws (hardly surprising for a 11x zoom). … READ FULL REVIEW