Updated Swagger Means More To Come

photocrati-design

The Photocrati website has gone through a redesign process.

Why is this important to you?

Our intentions are to make the experience for you easier, faster and more enjoyable.

So with that in mind, we worked hard to clean up the flow of the website.  The colors are bright and inviting.  The images pop off the screen.

In addition, we cleaned up the page menu and blog – making it easier for you to find what you’re looking for.

With over 12,000 photographers using the Photocrati theme, we know that it is important to provide new features and new looks.  So with that said, we have big news coming soon!  I guarantee you do not want to miss it.

*Teaser Alert* Photocrati’s relationship with the photography community is about to grow immensely. You might even say it’s growing by 5 million.

Thanks for reading,

Scott

Introducing Photocrati 4.2!

We’re happy to announce the release of Photocrati 4.2! After the release of 4.1, we decided to move toward shorter update and release cycles. So this update comes just two months after the release of Photocrati 4.1. For a list of what’s new in Photocrati 4.2, visit our Developer’s Corner.

How to Update Your Photocrati WordPress Theme

If you are an existing Photocrati customer, you can update automatically by logging into your WordPress dashboard, going to Help / Support, and clicking the green auto-update button! You can also download the latest version of the theme from the Member’s Area.

A Review of Photocrati – Where We’ve Been, Where We’re Heading

Over the last year, Photocrati has experienced incredible growth. This post is a behind-the-scenes glimpse what’s been happening, a fairly open review of where we’ve come from in the recent past and where we’re heading.

Before diving in, the first thing I want to do is to thank everyone in the Photocrati community – especially the 8,000 great photographers using our theme – for sharing this journey with us. It’s exciting for all of us at Photocrati to be a part of something that’s moving so fast and taking on a life of its own. We’re thankful and we feel a great deal of responsibility to give all of you the best experience that we can.

A SENSE OF HISTORY: WHERE WE’VE BEEN

People now know us as a maker of one of the leading photography WordPress themes. But as late as March/April 2010 (15 months ago), we weren’t primarily a theme seller. We were a general photography blog that happened to sell WordPress themes.

Our front page was a blog style front page, and we had a great team of writers covering diverse topics from gear reviews to travel photography. Below is screenshot of Photocrati.com from April 2009 (a little over two years ago). That was before we had themes at all. You’ll see some Google Adsense boxes and even a donation request on the sidebar!

We released our first theme in August of 2009. It was a clumsy first effort. We decided to recode it from scratch and we finally released what people know as Photocrati in April 2010.

In short, our main business is now 15 months old.

Since then, however, it has been a wild ride. We have:

  • Added 7,000 customers.
  • Doubled our team in the last 8 months. We’ve hired two new rockstar developers to improve our theme code and get releases out more quickly and we’ve added a second full time support person. Even with these additions, Photocrati is still just 7 people serving 8,000 customers and managing all of our other projects (below). We are a small, close-knit family, and we’ve been lucky to bring together some great people.
  • Launched Photocrati versions 2.0, 2.1, 2.2, 3.0, 3.01, 3.1, 4.0, 4.05, 4.06, and 4.07. 4.1 is coming soon.
  • Launched our own, built-in gallery management system (until V3.0 in October, we still based our theme on NextGen, the free gallery management plugin).
  • Launched the first full-blown ecommerce system for photographers using WordPress. This is now a distinctive feature of our theme, but it is only 5 months old.
  • Re-launched our members’ area to improve how we provide help and tutorials, and to increase the speed with which we reply to incoming support queries. This has dramatically improved our response times.
  • Sponsored the first developer-focused WordCamp conference in Vancouver to give back to the WordPress community.
  • Launched the Photographer’s SEO Community to help our users as well as others learn how to optimize their websites for search engines. I believe this is the most important thing that most photographers – or any businesses for that matter – can do to ensure success. Visit the Photographer’s SEO Community to learn more.
  • Launched Best of Wedding Photography to promote excellence in wedding photography. BOWP is an invitation only association for some of the world’s top wedding photographers. Visit Best of Wedding Photography to learn more.
  • Organized and given away our first two $5,000 Photocrati Fund grants, one for a project on Chilean fisheries, and the other on a conservation and development project in northern Canada. See 2011 winner and top finalists here: Photocrati Fund 2011 Finalists.

ROADMAP: A GLIMPSE AT THE FUTURE

In short, we’ve had a rockstar year.

That’s great news because it means we’re doing a lot of things right. But such rapid growth has created significant new challenges and demands that we need to tackle for the sake of our user community. We are in transition from a small photography blog and a small-time theme shop to an established software and hosting company, and that requires a completely new way of operating.

In the next 12 months, we’re planning for major changes, additions, and expansion, including:

  • Putting in place best-practice systems for handling code updates and releases, as well as a completely new way of handling in-bound support queries, escalating them to developers, and delivering fixes quickly to customers.
  • Photocrati 5.0. We’ll be recoding our theme framework to give it world-class foundations. This will be an epic and time-consuming undertaking, but we know it will be worth it. The recoded version, Photocrati 5.0, will be more robust and will provide a platform for awesome new features.
  • Doubling our team by bringing on critical new people, including:
    • A full time designer to improve our branding and theme styling.
    • A full-time SEO professional to manage our SEO communities and help with SEO across our current sites.
    • A third world-class developer.
    • A dedicated system administrator to manage our hosting infrastructure.
    • A community point person to blog, build social media followings, and to build a stronger sense of community around Photocrati.
    • Two more support staff with outstanding WordPress expertise.
  • Launching a Photocrati Gallery plugin that will make our gallery and ecommerce systems available to those using non-Photocrati themes.
  • Launching a hosted solution that allows non-technical users or those new to WordPress to just set up an account with us and have their sites up and running in minutes. By this time next year, our hosting service will be as integral to our business as our theme is now.
  • Beginning to tackle awesome new features like integrating with online print labs for automatic order fulfillment of ecommerce orders and creating a store in which designers can sell designs they create and export using our backend theme options.
  • Making constant ongoing improvements to Photocrati’s other projects, including Best of Wedding Photography, the Photographer’s SEO Community, the Photocrati Fund, and a few new projects we have up our sleeves.

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Our core team has been aware of these plans for a while, but we haven’t, until now, communicated them publicly.

We constantly get questions from our community about what we’re working on and when we’ll be delivering certain features. Normally, we respond individually to specific questions. What I wanted to do here was take a step back and provide a “big picture” view.

Thanks again to everyone in the Photocrati community. Without you, none of this would be possible. We look forward to creating and sharing an awesome future with you.

Erick Danzer
Photocrati Founder

Michael “Nick” Nichols launches iPad app

Our good friend and world-famous photographer Michael “Nick” Nichols is launching his own app in the iTunes store.

Here’s the scoop:

In his first iPad app, Michael Nichols, National Geographic Editor-at-Large for Photography, has compiled over twenty years of photography and stories from locations all over the world.

The app features:

- Fifteen photo galleries and over 160 photographs (some never published until now) that will bring you up close to far off cultures and wild animals from all around the globe.

- Exclusive behind the scenes video of Nick photographing owls, tigers and elephants while on assignment for National Geographic magazine

- Links to buy limited edition prints and signed books

Join Nick, a pioneering wildlife photographer and former member of Magnum Photos, as he provides an intimate and behind-the-scenes look at his groundbreaking work in the most remote corners of the world. Nick has devoted himself to producing photography with a purpose that results in raising environmental awareness and protection. His work with conservationists, such as J. Michael Fay and Jane Goodall, has resulted in numerous books, as well as the creation of thirteen national parks in Africa and reform in captive chimpanzee care. Nick has photographed 25 stories for National Geographic including “Ivory Wars: Last Stand in Zakouma” (March 2007) that helped raise awareness and funds to protect the embattled elephants of Chad.

Check out Nick Nichols‘ website for more information on his new app.

Photocrati WordPress Theme v2.2!

We are excited to announce our new upgrade to the Photocrati Supertheme, with WordPress 3.0 Custom Menu Compatibility!!!

What this means, is that you can include the following in your navigation menus:

  • External Links
  • Hide pages
  • Categories
  • Regular pages

Also, never has organizing your pages been easier! Just drag and drop these pages to wherever you want them to appear in your navigation menu! Not only this, but you can easily add pages, external links and categories to your footer area of your site – all using our Supertheme. :)

These menu’s are easy to create, easy to manage and they look great!

If you’re not using Supertheme for your Photography WordPress Theme, go get it today! :D

Full Disclosure

Michael “Nick” Nichols is the Editor-at-Large for photography at National Geographic magazine and is a founding member of the LOOK3 Festival of the Photograph in Charlottesville, VA. Photocrati welcomes Nick on his first post as a special VIP guest blogger.

This past October, I went to the Wildlife Photographer of the Year awards in London. My camera trap image of a black bear in the Redwoods of California had been given an award. Last year, my close friend and former assistant Steve Winter had won the big prize with a camera trap image of a snow leopard. We both have invested years in finding ways to make elusive, wild animals photograph themselves by crossing the path of an infrared beam, triggering a disguised camera nearby.

The awards are presented in the fantastic main hall of the British Natural History Museum, under the giant dinosaur; a fabulous setting with all the mood that a great award ceremony should have. This year the winning image was another camera trap image, an Iberian wolf. Iberian wolves have come back from the brink of extinction and this image had the added energy of the wolf jumping over a fence. I was stunned by the image and immediately asked to meet the photographer.

VIEW THE “STORY BOOK WOLF” IMAGE HERE

Jose Luis Rodriguez was gracious and told me he had made the image over many months and many failed attempts by making an arrangement with a sheep farmer. He relayed that he had put “bait” carcasses inside the vacant sheep paddock for many nights while he attempted to get the image he had dreamed of. It is a perfect image. The wolf is in mid-air at exactly the right point. This is very hard to do with camera traps because the beam and the speed of the animal give results that are not perfect. Remember, the photographer cannot be there to adjust anything and most wild animals do not come back and do the same thing twice.I have a well-known image of a wild tiger jumping from a cliff directly into the camera. I got one frame in three months. One.

Leaping Tiger

The jumping Iberian wolf image seemed impossible, but I accepted it because I was proud of the photographer for disclosing that he had “baited” the animal. [Read more...]

Announcing $5000 Photocrati Fund Grants for Photographers

Hello Photocrati Readers,

We’re proud to announce the formal opening of our first Photocrati Fund Grant Competition. The Fund will give away one $5000 grant this year for a non-professional photographer to undertake a an important humanitarian, environmental, or social photography project. Photocrati is excited to have some of the most celebrated environmental and cultural photographers in the world acting as board members and judges for the competition:

Steve McCurry
Michael “Nick” Nichols
Art Wolfe

The Need for Photography of Important Humanitarian, Environmental, and Social Issues

I’ve interacted with a lot of photographers over the years, and I’ve come to believe that photographers, as a group, are more inclined than the average population to want to harness their hobby/profession (depending on your status) to promote important causes. Like most photographers, I also believe in the profound impact that great photography can have by creating awareness and motivating others to take action.

Unfortunately, the most important stories and causes are often the ones that are least likely to provide compensation, so they often go uncovered, unphotographed, untold. [Read more...]

Technology doesn’t define us…

…but it is a part of our identity.

I got my first job in this business because the photographer that hired me didn’t understand the concepts behind digital imaging. He knew f/stops and shutter speeds and watt/seconds like the back of his hand. He could estimate flash exposure (without a meter) within half a stop, and his client relation skills were out of this world. But he had just mortgaged his house to buy a digital camera (Kodak DCS460) and he needed help.

That was 15 years ago. Digital imaging was just beginning to become an acceptable alternative to film for some uses. Royalty free stock photography had just entered the market and pulled the rug out from under a lot of photographers. The global economy was finally starting to come out of a recession. Fifteen years later – we’re (hopefully) coming out of recession, microstock has showed up, pulling the rug out from a lot of photographers, and integrated video is once again, to use a phrase from the ’90′s, shifting the paradigm.

Looking at the past few years, newspapers and magazines have struggled horribly as advertisers have cut back ad budgets and shifted to digital marketing. It’s pretty likely that advertising supported print publications are not long for this world. Second, recent product prototypes by publishers like Conde Nast© and Time/Warner show that e-readers are coming fast. And if Apple launches the iSlate (or whatever they decide to call it,) later this month as predicted, and it’s the game changer it’s expected to be, it’s entirely possible that the newsstand and bookstore as we know it are headed the way of Betamax and CD’s. Right now publishers are simply converting their print publications to electronic versions. But that’s soon to change. Audio and video embedded into magazine, book and newspaper articles are only a software upgrade away.

Those photographers outside of the commercial field are by no means exempt. Moving pictures embedded into family snapshots (a la Harry Potter) are currently technologically possible, but economically unfeasible – and we all know how that curve works. Wedding and event photographers are already combining their stills into slide show movies with transitions and background music. Making the jump to embedded video is a logical next step.

As with any monumental change, there will be those who resist, those who adopt early, and those who go with the flow. It’s probably too late to be in on the early adopter phase, but it’s certainly never too late to be a resistor. After all, there are those of us who still shoot film, and are sought out because of it. There are those who make images using oils and watercolors and etchings, and make livings doing so. I expect that there will always be those who make a living exclusively doing still images with a camera, but they’ll be a minority. What’s left is the middle ground of going with the flow. Usually, it’s said, that standing in the middle of the road is a good way to get run over, and it’s true. But what may be worse is not crossing the road in the first place.

A lot of the skills that we’ve learned as still photographers translate to video very well. Composition, lighting and attention to detail are still important. New skills like capturing quality audio, maintaining continuity and compression codecs steepen the learning curve – so get on it and learn. As with still photography, specialized help is needed in some instances. We hire food, makeup and prop stylists all the time in the still world. It’s no different in the motion world, other than you need more people. Freelance editors, script supervisors, line producers and audio technicians may come into play.

ASMP has just published the results of their research here. It’s well worth reading.

Fifteen years ago I got my start because an industry veteran realized that he knew a lot, but didn’t know enough. So he hired some help. That’s a lesson worth taking to heart. We know a lot, but we need to know more. Either learn, hire some help, or get run over.

Why a Tilt-Shift Lens may be in Your Future.

decker-joe-tse-1

Canon TS-E 24/3.5L (1st generation)

For many years, 35mm camera users have often been able to safely ignore the subject of camera movements. Not so for the large format folks, the relatively large film plane of a 4×5 view camera requires photographers to go to lengths even in the simplest images to get a deep depth-of-field, lengths that often include both camera movements and enormously tiny apertures (e.g., f/64). Our smaller film (or digital sensor) areas come along with a comparatively deeper depth of field. For better or worse, we may not wish to maintain our ignorance much longer.

If, like many photographers, you keep a close eye on gear announcements, you’ll have noticed the trend. While Canon had been selling three tilt-shift lenses for years, more recently they updated the 24mm tilt-shift with the ::amazon(“B001TDL2O0″,”Canon TS-E 24mm f/3.5L II “):: (greatly improving it’s optical quality) and added a ::amazon(“Canon TS-E 17mm f/4L”,”17mm”):: to the lineup. In the same time frame, Nikon announced and began to ship ::amazon(“B0013BEEUW”,”24mm”)::, ::amazon(“B001BTG3NW”,”45mm”):: and ::amazon(“B001BTAZHM”,”85mm”)::. What’s behind this new excitement? [Read more...]

Hey photography’s legal again, uh, not so much

A while ago I wrote about the NYPD being re-informed of our rights to take pictures of, well, whatever we want. It seems Homeland Security Secretary Janet Napolitano didn’t get that memo …

http://www.pdnpulse.com/2009/07/homeland-security-secretary-report-suspicious-photographers.html

Here’s an idea. Instead of calling the cops on people with cameras we call the cops on politicians who speak before thinking.