Cause Marketing for Photographers

As we move towards the coming new year many of us are beginning to implement a new marketing plan. Also, as the holiday season comes to a close many of our thoughts are on giving. Cause marketing is an opportunity to combine the two. For those unfamiliar with the term, cause marketing is a form of marketing that allows two organizations, one for profit, and one non-profit, to work together to further each of their individual marketing/development goals in a cooperative fashion. Think of the (product) RED campaign, or the partnership between the NFL and United Way.

Cause marketing can be as simple as offering a sponsorship to a local charity event, or as involved and complex as you care to make it. Below are some examples of actual cause marketing campaigns I’ve seen photographers in my market employ”¦

  • A local portrait/wedding studio holds quarterly workshops for photographers on various business practice issues. They host at their studio and usually bring in a guest speaker. They don’t charge attendees directly but ask that they make a donation to a specific charity ($40 to the local food bank or so.)
  • A commercial photographer sponsors a hole-in-one contest at a charity golf outing. If a participant scores a hole in one, they win $10,000. He gets a bond each year to cover it for about $100. He’s at the tee of that hole, shoots a photo of the foursome and mails each of them a print (with his logo and web address of course.)
  • A fine art photographer gives 25% of sales of a series of images of the Chesapeake Bay to a local environmental charity.
  • In lieu of holiday gifts for his corporate clients, an industrial photographer makes a donation to the USO (many of his clients are in the defense industry and are veterans). He then sends the clients a note thanking them for their business and letting the client know that he’s made that donation. [Read more...]

Printed Portfolios

Even in this world of online meetings, websites and blogs we need a printed portfolio book to show prospects. I’m in the process of re-doing my books so I’ve been researching this pretty heavily.

My old (current) book. Moab Chinle 8x8

My old (current) book. Moab Chinle 8x8

The format and styling of your book will depend greatly on who you’re marketing to as well as your own personal style. A wedding book is not going to be anything like a commercial book which won’t necessarily look like a pj book. In general here are a few nuggets of wisdom I’ve been able to scrounge in my research. [Read more...]

Book Review: Tell the World You Don’t Suck

Tell the World You Don’t Suck: Modern Marketing for Commercial Photographers by Leslie Burns Dell’Acqua

I’m a big fan of marketing and advertising my business. I really try hard to put my work, my business and my name out there as much as possible. With that said, sometimes I get stuck. Getting stuck in your marketing is no different from getting stuck creatively. It happens to all of us and learning how to break out of that rut and into more productive areas is important for any business owner.  It’s at times like these that books like this one come in very handy indeed.  Sometimes we need a creative kick in the pants, sometimes the foot is more business oriented. [Read more...]

Four Tips for Working a Photo Exhibition


Working a Reception (Photo Courtesy Mary Smith)

Working a Reception (Photo Courtesy Mary Smith)

My two-person show “Rhythms” opened last night in San Jose, and the reception was a blast. It can be a challenge to get the most out of a show of your photography, I’m often astounded by how many artists believe that their work will “sell itself”, but nothing could be farther from the truth. Here are a few tips for getting the most out of your photo exhibitions.

1. Make sure your pricing makes sense. Most venues will want about half of the gross of any sales of your work, which means that your half has to cover printing, matting, framing, labels, and oh, you wanted to make a profit, too, right? One of the biggest mistakes I see artists make is underpricing their work. If you don’t make it clear that to folks that your work is valuable, why should they believe otherwise? [Read more...]

Pricing Prints

Pricing fine art photographic prints is always a challenge, there’s a lot of costs involved, a lot of competition in the marketplace, and a lot of variation in prices out there in the marketplace.  While I don’t have the One True Way of pricing for photographic prints, I do have a few thoughts on the matter for those of you considering your own print sales.

As a starting point, you first need to figure out your cost of goods. Start with the photographic print itself.  If you own your own printer, that cost will include the cost of the ink, the paper, and the amortized cost of the printer itself, Mark Segal has a nice article explaining how to do this over at the Luminous Landscape.  In my own case, I print through an outside service, so I know up front that the cost of one of my standard-sized prints (16×11 inches image size) is about $25, then I add to that a few bucks for shipping or my time/effort to pick it up. [Read more...]

Closing

I suck at closing.

I get a fair amount of appreciation for my photographic prints, and am usually able to manage a good turnout for my big photo exhibitions, but closing a sale can still be a challenge for me. [Read more...]

More on Value Propositions

In a previous article, I touched briefly on Value Propositions, and talked about how to develop one. I’d like to go into more detail, thanks to Joe Pici.

In review, a value proposition should focus on outcomes, and be result-oriented:

  • talk about outcomes not products and services
  • tie results to critical business issues
  • tie results to personal issues

[Read more...]

How many is too many?

I read somewhere recently that the fewer images you show your clients, the more sales you will make.

I think about this a lot. I think about it pretty much every time I’m putting together images from a session to show a client.

Let’s say that we shoot an engagement session together and from that session I have 200 images. On the first pass I’ll probably narrow that number down to about 80. On the second pass I’ll begin to drop images that are in the same style and the same pose ( there’s no reason to have 12 images of a couple sitting the exact same way.) By the time I’m done I might have 30 to 50 images left to show.

Is that too many? I think that if you asked a lot of photographers most of them would say “yes.” But, here’s my problem: I don’t think I have ever shown a selection of images to a client where the client didn’t pick out at least one image that I personally think is not good. [Read more...]

Selling for Photographers – Part 2

Preparing for the Sale

The next step is to actually make sure you’re ready for the approach, and the ultimate sale. Do you have business cards ready? Contracts? Your calendar? Nothing turns off a potential customer quicker than an unprepared salesperson. They are trusting you to take their money and deliver a product – and if you seem “off” or flaky in any way, they would prefer to not give you money.

You should develop scripts – for the phone, and for in person. You will stick with these scripts as much as possible. You will refine them over time, yes, but for now you practice them until the words roll smoothly.

“All the world is a stage “¦” – Shakespeare [Read more...]

Selling for Photographers – Part 1

If anybody asks you what you do, and you say, “I’m a salesman” (or saleswoman) – is there a teeny, tiny bit of shame, embarrassment, or even shyness that creeps into your voice?

I know that a lot of people have very negative attitudes about selling. The fact of the matter is, nobody gets paid until something gets sold. So, if you’re addicted to getting paid, somebody has to get good at selling. [Read more...]